In all, there were three things:
the certainty one is always beginning
the certainty one must go further
and the certainty that one will be interrupted before finishing.
From the interruptions, to make a new path,
from falling, a dance step,
from fear, a ladder
from dream, a bridge, from search…the encounter.
June Schwarcz is 97 years old and still enameling today..
I feel quite drawn to work like this, where the more you seek the more details you find..
I once had a conversation with one of my teachers where he asked me why I kept making boxes.. for some reason I am drawn to boxes and hollow structures as well, we decided there was some sort of “protecting” aspect about it.. and when I see her vessels I get just that, I think her subtlety shows through, these are not to be used in a common form, they were made to hold something deeper… they are to be admired and loved as the beautiful object they are..
This video features her talking about her work, it is so inspiring to see someone so fulfilled and with a life time of memories through making..
Oh..well, did I tell you I really like her work? 🙂
“Sometimes, seeing one of these moths that have met their end in my house, I wonder what kind of fear and pain they feel while they are lost. As Alphonso had told him, said Austerlitz, there is really no reason to suppose that lesser beings are devoid of sentient life. We are not alone in dreaming at night for, quite apart from dogs and other domestic creatures whose emotions have been bound up with ours for many thousands of years, the smaller mammals such as mice and moles also live in a world that exists only in their minds whilst they are asleep, as we can detect from their eye movements, and who knows, said Austerlitz, perhaps moths dream as well, perhaps a lettuce in the garden dreams as it looks up at the moon by night.”
This past weekend I saw this beautiful piece in the Contemporary cultural center of Barcelona.. thousands of black butterflies surrounded the place.
And in this video you can see the motivations behind the piece and a few glimpses of the installation in another place.