Bernar Venet Undetermined line 1988 pastel and collage on paper

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Robert Ebendorf

Robert  Ebendorf is known internationally for his use of unusual materials such as found objects, industrial products, and paper in his work, and his willingness to share his techniques and ideas with students.

He is credited with helping to shape the craft movement since the 1960’s.

I recently found  a transcript of an interview with Robert Ebendorf on 2004 for the American Art, Smithsonian Institution it  is a very inspiring read, to understand his thoughts, you can find it here.

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You can see more of his work over here

“I like vessels … you’ve got an inside and an outside. I like things hidden.” — June Schwarcz

June Schwarcz is 97 years old and still enameling today..

June in her studio

I feel quite drawn to work like this, where the more you seek the more details you find..

I once had a conversation with one of my teachers where he asked me why I kept making boxes.. for some reason I am drawn to boxes and hollow structures as well, we decided there was some sort of “protecting” aspect about it.. and when I see her vessels I get just that, I think her subtlety shows through, these are not to be used in a common form, they were made to hold something deeper… they are to be admired and loved as the  beautiful object they are..

This video features her talking about her work, it is so inspiring to see someone so fulfilled and with a life time of memories through making..

 

Oh..well, did I tell you I really like her work? 🙂

Why do we collect?- Small Collection- Process

I usually start by displaying materials on a table, I do a small layout to see what I have and the possibilities available, here you can see bits and pieces found on the street, on the beach.. just different walks, as time goes by I also have friends that find little pieces and give them to me just in case I can use them..

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Why is there that innate eagerness of collecting?

Why do we do this? sometimes there is really not a financial value for these objects still, we feel accomplished when we find something that just fits.

But why do we have this light obsession, why do some of us do it, some of us don´t?

I have been very interested in the topic, specially because I try to understand why do I get that light sense of “joy” when I find certain materials, I am attracted to things that have a worn aspect, a sense of time that has gone past them, everything, even the smallest thing has a story.

It is all a way to understand my own nature through making, I like giving these materials a chance, a space, why not?

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“We use keepsakes to stimulate memory, especially to trigger fond memories but even if memory cannot be relied upon to faithfully reproduce a record of the past, it remains vital to our understanding of the past.” Terry Shoptaugh

Photographs, toys, train tickets, the lists are endless and it varies from person to person, do you collect anything?

Back to the piece:

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I made boxes to keep and display them as small treasures and kept experimenting with arranging, re-arranging, and classifying parts of a-big-world-out-there, I found a composition that made sense to me, the piece that fitted each box.

This is the first brooch I made where I did made some boxes specifically for some pieces I wanted to use but for the second one (which I will show you later on) it took a little longer, I made the arrangement and then just waited until I found the correct piece for each box.

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Since this is a brooch I didn’t want the copper to go directly in touch with the clothing so I made a sterling silver frame to give it a bit of volume and stability as you see the boxes are in mixed positions, so having a frame in the back gives me a good space to make the mechanism.

At the same time, I made and soldered bezels, tubes and all the parts to hold the pieces in place.

IMG_1668 IMG_1669IMG_1679Patina and wounded finger:

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Preparing for rivets.IMG_1681

Some are tied with waxed cord, the knots can be burnt and is held securely in place.IMG_1685

Riveting

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And after finishing off, removing some of the patina in certain places, oxidizing and placing the stainless steel needle in the back, this is the result.

It makes a little noise since the bell is  tied and swinging loose 🙂

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After finishing, the piece left me and it’s off in the Museum of Anthropology of Palencia, for a while.

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